Of The Prairie

Prairie.

I’m not talking about a valley between two mountain ranges or regions that are punctuated by flat patches of earth.

I mean prairie — interior lowlands, wide, weather conducing swaths of land that roar with silence when the wind isn’t ripping through bunchgrass, willow and scrubby poplar bluffs.

For years now, I’ve referred to the great northern plains as a caesura;
a wide breath of space that robs the mountains of the true meaning of grace,
a hard and undulating passage of land between the jutting lobes of the coasts,
the place the heartbeat of the wild is traced out
abstractedly

in the staccato of
star spangle

in the gleam of
old bones in the gloaming

in the conductivity of
tall grass and pungent sage

in the way the soil clasps hands with the wind.

It’s a place that gives and steals in both a merciful and merciless manner; bringing forth new life in steady arcs while old life fades to rust and bone split in two by wavering gold. It’s a hard place for anything to do its living and dying, but there’s a comfort in knowing the prairie always takes back her own.

You know me. And if you don’t, I’ll be the first to inform you of the fact that I spend a lot of time out on the land and it’s my great honor to be able to live off of it, to take from it what I need exist on physical, emotional, and spiritual levels — and to give back, when I can, what I can. Not a day goes by when I don’t step out into the wide arms of the world here and notice, firsthand, the cycle of energy between the living and the dead, the bones and the wildflowers, the trees and the mountain springs, the pronghorn and the sage. I’m connected, I’m plugged in, and I’m grateful to be so.

It’s a perfect system out there; left on it’s own, there is no beginning or end to it — just like the One that created it all — I’m talking about Alpha and Omega.

The mountains, the plains, the great oceans, they are the beginning, they are the end. There’s simply a smooth line, the birth and decay of wildness and beauty, the tall grasses splitting bone in two, the heave of the flowers and sage, the eruption of the sun each morning and the going down of the same.

How blessed am I to see it in full dimension as often as I do.  To be almost blinded by the simplicity and perfection of the great feast, of the great unbroken circle of energy between the elements, between the coming and going of spirit, between the bloom and frost of the seasons and to exist there, wholly, belonging because I choose to belong in a deeper way.

The difference between the living and the dead is breath. Caesura. A great and quiet plain. The space between the dead and the living is an inhalation, an exhalation, a great pause, a long rest in the holy of holies. I see it all the time, at my own hands or the fangs and claws of others; the short rest before the bones and flesh are thrust into use once more; the timeless moment when the spirit departs and the body begins its transition into something new.

Ashes to ashes. Stardust to stardust, baby.