It’s a long path between bud and ground.
A road full of unfurling, a passionate push towards a green blush
up in the boughs.
The carefully whittled pull of veins
pushing up from petiole.
A ticklish midrib, a bony spine, the bending smile of stacked cells
eager to catch sunlight.
A summer spent:
waving
shading
breathing
cleaning
dappling sunlight on brown skin
whispers and clatters muddling together, musically, conducted by the able hands of zephyrs.
Then the fall.
The drop in temperature.
The fade of kelly bright chloroplasts to rusty,
spent hues.
And the letting go, settling into musty earth as blankets to blankets.
Dust to dust.
A leafy detritus
overripe
and spent,
makes the prettiest things.
This decolletage candy is built of a gazillion spent, sterling leaves wrapped carefully around a huge cut of amethyst sage agate. As usual, I can’t utter enough compliments to do this cabochon justice. I had it cut with a huge dome and the nuances in color and pattern are too fantastic to convey. It has to be seen to be believed. The pendant is a glorious mess of hidden bails that form a complex web of draping chains. An etched and anticlastically raised leaf dangles from one side of the pendant for a perfectly balanced but asymmetric piece that will tame straying eyes and delight fingertips.
Wearing this necklace sets a girl adrift.
Gravity starts humming in all directions.
Feet fail to know the feeling of being planted.
She gets carried off on the wings of whims.
It’s good.
It’s good.
It’s good to have some of that internal pretty stuff make its way out onto the surface of things.
I’ve had this piece
partially finished for a couple of weeks
now. Yesterday I managed to squeeze in the
finishing touches
and the words I would use to describe
it are:
Ethereal.
Organic.
Nature rich.
She’s special.
And she knows it.