The Gables is filled with this palpable, thick hum of energy today — it’s practically sonic and moves in waves of green and light in every room I walk through.  I feel so revived by it.  I feel sensitive to it.  The doors seem to have wings, the windows are all thrown wide open, out in the blue spruce the squirrels and birds have gone berserkers.  The dogs are riotous.  They can feel it too.

I have attempted to take a few photos this morning to capture a slice of what I can see and feel around here and everything has come out blurry — perhaps I managed to capture the hum and thrum of here decently, after all, now that I think on it.
I woke up this morning and suddenly found myself in a routine. I rolled out of bed, washed my face, popped the ferns in the tub for a day long soak, fed the beasts, ran the pointers over to the park to get the ants out of their pants for the early part of the day, pushed a delicious French press and fell on my journal for three solid and voracious pages of kinetic words, metaphor and purge.

These days, I ache, deep in my chest, for my husband.  These feelings are sharp.  My emotions run just beneath the surface of my skin, oceans and tides of love for my man who is so far from here.  My life is full and continues beautifully with experience and growth without him, but somedays I can’t believe how far away autumn is.  I pine for him.  I do.  I continue with my living here, most robustly, I’m doing my best to suck the marrow out of life,  but I miss my partner more than I can say.  I haven’t talked about it much this summer, preferring to pour myself out on the mountains and on paper…but there you have it.
Dammit.  I miss my man.

I have been spirit weary.
Yesterday, I was in and out of bed all day long.  
I don’t recall sleeping much, but laying with my eyes closed seemed like one of the most restful things I could do.  The wind was wrapped up in the trees.  There was a pair of robins singing throughout the day.  I wasn’t sad.  I was tired.
I didn’t know what else to do.

I’m not sure if I’ve mentioned it here, or just in my journal pages, but I sense a massive shift coming with respect to the work of my hands.  I don’t know where I’m headed but I feel I’ve had my toes curled over the edge of a precipice for months now.  When I’m in the studio working, I feel restless.  Perhaps it’s just the season melting away my self discipline and sweating inky patches into my resolve (because, you know, doing this takes so much self motivation and resolve and discipline).  I’m excited about the coming change, whatever it is.  I like transitions.

I’ve been reading the autobiography of Daniel Lanois which is something I RARELY do, read autobiographies, that is — it’s excellent.  As a result, I’ve found myself listening to the albums he has produced.  I’m spinning Wrecking Ball, by Emmylou,*** until it’s dizzy and it spins on its own.  Seriously.   Bob Dylan’s, Time out of Mind, has me on the edge of my seat.  Lanois is passionate about creating sound, full sound, and I’ve loved the story of his life and feel such an appreciation for his own music as well as the top notch albums he’s produced.  If you like music, if you are music, you should give this book a chance.

There’s been a revisiting of Holy The Firm.
I hold that book in my hands sometimes…overcome by the inspiration of it…it’s so 
honest.  So true.  
I love it for the questions it asks, for what it represents — the regular and steady struggle and flow of questions that apologetics attempts to answer.
I cherish these words and maintain that Annie Dillard has, on multiple occasions,
changed my life.

Also, and importantly, I picked up a copy of Daybook by Anne Truitt at Walrus and Carpenter (my local used book nook) the other day and began reading it last night at midnight.  It has captivated me.  The writing is strong, compelling and intelligent.  More than anything, I relate with it — I feel championed by it.  I don’t know if that makes sense.  But to read the journal entries of another artist dealing with fatigue and self-definition is just…..well…..it was destiny that I would find a copy of this book this week.  Destiny.

What’s inspiring you these days?
Direct me, if you will, to the things that make your heart swell, the things that zap you like lightening bolts,
the things that shoot you through to the core and braid the ribbons of your soul.
I want to know.


I hope the energy is thick where you are,
go ahead,
cut it with a butter knife and spread it on some toast.
xx


***I just had to add here that I think Emmylou is so tragically beautiful.  When I look at her, when I read about her, when I hear her sing, I just know that she has accidentally ruined a handful of men in her lifetime.  She’s that kind of beautiful — one just can’t help but be gloriously wounded forever when rubbing up against the brilliance of her soul.

https://www.thenoisyplume.com/blog/2011/07/27/1054/

Capturing Quiet: Creative Freedom

 

Everyone else is asleep in bed.  I’ve been awake since 5:30.  
I’ve been capturing the quiet like a dusty moth beneath the glass of a spent pickle jar.
There was an effort, a chase, the painted paper of wings against glass and then suddenly, I found the quiet in my hands, turned it over and over again, inspected and embraced it.  In a short while, I’ll set the quiet free again.
 Out in my studio, the world is blue.  I’ve left the lights off, for the time being, I’ve been writing my morning papers with the help of cold fingers and the dampness of springtime morning drifting in the big window that faces West.  The view from my chair is vast and I think again, to myself, the only reason I live here is because of all the windows that face West into sage and space.  Were there houses across the street from me, I couldn’t do it.

I toss my mane.  I snort a little and shuffle my hooves.
I feel my mustang heart beat inside the interlocking grip of my ribcage.
I’m working my way through a project book, The Artist’s Way.  This morning, I’ve come back to a paragraph that really rings with some truth, for me:

In retrospect, I am astounded I could let go of the drama of being a suffering artist.  nothing dies harder than a bad idea.  And few ideas are worse that the ones we have about art.  We can charge so many things off to our sufferings-artist-identity: drunkenness, promiscuity, fiscal problems, a certain ruthlessness or self-destructiveness in matters of the heart.  We all know how broke-crazy-promiscuous-unreliable artists are.  And if they don’t have to be, then what’s [our] excuse?
[Julia Cameron, The Artist’s Way]

The thing I really connect with in this paragraph is the notion that artists don’t have to be tortured or self-destructive.  Julia goes on to talk, throughout this book, about how a creative life can be steady, even tranquil.  That we, that I, can work with an even pace, escape the roller coaster of high and low times of creative output (oh my, the creative highs are so high…the creative lows are so low).  I don’t have to work myself to the bone when I feel fresh ideas are most accessible, I can work with steadiness.  I can work with calm.  She has this idea that I can have my creative wells filled on a daily basis, that I can recharge myself, every day, through my approach to work and life. I can work hard and long and gently and short without burning out and I can do it all without the persona of tortured-artist.  Eureka!  How novel!

I don’t know who it was who told me so, but this whole idea of the tortured artist truly is a bunch of bunk.  I’m living my life and I’m doing creative work.  It’s not rocket science.  Why the turmoil?  Why the torture?
 I’ve grown up a lot over the past year and I can feel a heap of new, personal growth coming on strong.  I’ve surplussed many wretched ideas about creativity, grown some new perspectives and I like who I am, right this instant, so much more than the me of a year ago!  But there’s still so much to learn about myself and about my creative process and habit if I want to continue to sustain myself (and my family) with this work.
 At any rate, before the blue light of morning runs out, I wanted to talk to you about the concept of morning pages, a term used by Julia Cameron.  Every morning, this past week, I have sat down in the early hours and written three pages in my journal before beginning my day.  I’ve always journaled but never every morning, first thing.  Also, dedicating three whole pages, every day, is a lot of writing.  I use a very large sketchbook journal and three pages, depending on my writing flow, takes some time.  

I don’t always have something beautiful to say, and a lot of what I have written this week has  been replete of thoughts that are rooted in insecurity and general negativity.  But to pour all of that crap-filled emotion out onto paper really purifies my mind and heart before I begin my day.  I’m often surprised when I glance over the writing from previous days — the content surprises me because the emotions were ugly but so fleeting!  I’ve forgotten all about the things I felt, usually as soon as I write them down on paper.  Sometimes, I can see that my emotions confused me or made me believe something untrue.  Other times I write something beautiful and full of meaning.  Either way, I’m always aware that I am writing for myself, I am my only audience, and I’m letting everything fly out of my pen tip onto paper and it might be better for me than a hot bath in my claw foot tub.

How many times, in one day, do we let ugliness take root in our hearts.  When that ugliness builds up, how can we function?  How can we see straight.  To pour it out on paper is to free ourselves of it.  I don’t feel like I need to talk to someone about my misguided emotions — especially if those emotions I share might mean that the individual receiving my words will pick the shrapnel of my talk out of their heart and soul for weeks and months.  The human heart can be vulgar.  The human tongue can cut deep and wound like bullets.

To free myself of my insecurities and crazy emotions before the day even begins does myself and others a kind service.  

It’s not my intent to make you think I don’t have anything positive to say when I journal, on the contrary, my writing flow sometimes begins grumpy and it sometimes begins lighthearted, but no matter what, by the end of a journal entry, I often find my writing to be light and filled with beautiful concepts, even small sketches.  Some days, I haven’t anything negative to say at all.  The point is to write.  To free yourself.  To eliminate anything that might get in the way of creative flow.  And it works.  Try it.

It’s officially day here now and there’s much to do.
I’m wishing you such a wonderful Thursday.
Be well.
xx 
The Plume

Terrified at 4PM

Well for the sake of Pete.
I’m just on my lunch break (yes, it’s a late lunch) and while my quinoa was cooking I decided to finish up another chapter of this book:

The chapter I am reading is number 20 and let me tell you, I’m traumatized.  I’m not even finished with it yet but it is by far the worst section I have read in this book so far.  I know what you’re thinking, why am I reading this book while my husband is smokejumping the current fire season.  In all reality, it is a great book.  It’s a compilation of fire fighting stories, some strange love stuff and it’s wonderfully informative when it comes to smokejumper culture.  I’ve quite enjoyed it thus far, that is, until chapter 20.

Currently, in chapter 20, a Volkswagen sized boulder has just rolled down the side of a mountain that is on fire, nearly squishing a handful of smokejumpers who just had to run for their lives, through a forest fire (literally, their hair is burning), on the side of the extremely steep mountain the boulder just rolled down.  They’re missing men.  They’ve lost the fire thanks to a crazy, huge snag that fell behind them and trapped them (hence the running).  The missing jumpers are out of radio contact and right now I’m hoping they’re alive.  I’m getting to the end of the book and based on the layout of most books, it can’t end too tragically…but one jumper has a huge cut on his neck from where his chainsaw bit him before he had to drop it and run for his life.  Another jumper just smashed his knee into a boulder (this is the same fellow who hours earlier hit the trunk of a ponderosa when he was landing his parachute and he was knocked unconscious).  I think they might be hungry too (they’re always hungry).

Sigh.

Why do I do this to myself?

I’m almost done eating and then I have a buffalo with a rose heart to deal with out in the studio.
Thank God it’s almost the end of fire season.
And seriously, if you want a rather adventurous read, you should nab a copy of this book.  But be warned, if you’re a smokejumper’s woman, perhaps read it over the winter season (or not at all).

xx,
P


PS  Here’s the buffalo I’m talking about!  By the end of the night he’ll be surrounded by a handful of pearls and a lovely little toggle clasp!

He’s such a darling little guy!

Are you up for the task?

I have a small assignment for yee.
A lovely lady contacted me last night asking if I knew of any great books about rocks and gems. I think she was looking for an informative book on the topic instead of an entertaining read. After pondering her question for a stint, I realized I’m after the exact same thing!
For all I know, you might be too!

We’re looking for something like THIS book.
If you happen to have a copy of Rock and Gem please let us know what you think of it. If you can recommend a different and superior title, go ahead and shoot from the hip!
Thanks chickadees and chickadudes!
PLUME
PS I know a couple of lapidary artists, from whom I happen to procure cabochons, read this blog of mine so if YOU happen to have a trusted field guide that you take with you whilst prospecting or shopping for rough, spill the beans, brothers. XO
PSS If you don’t have a google account of any sort and are unable to leave comments on my blog at this time, please feel free to email me at:
thenoisyplume@gmail.com