Winter comes. I too will build my bed of silk.
I too will love the sun when she rises and miss her when she sets.
These veined, rumpled, multi hued vessels of spentness — newly released from the fingertips of trees — are so delicate and so content to catch the rain instead of the wind.
When I’m old and my mind and hands are clumsy, I hope to be just as full of grace.
All of Nature’s confetti seems resigned to the fates dictated by the seasons; gathered up in a finale of colorful clouds in the tree tops, fistfuls there on the forest floors and clustered in the spring-fed mountain water as it flows. That confetti has spun around, crackling and clanging its overripe, organic rhythms (those mourning songs for the decay and death of chloroplasts) for a short spell. The light has grown too dim to capture. Wary of the hard frosts, it modulated a cyclical song in minor keys, turning teary variations over and over in the thickness of the wind, before the cold began to creep down from the mountaintops. And now everything is settling, yellow, orange and red carpets the floors here, waiting for blankets of white, waiting for the lacy whispers of solid state, the hard winds of dagger and ice from the North and the sleep of the slumber months. I purse my lips and carefully blow my breath in a column towards a heavy grey sky; my eyes can see the white. The white, it comes.
Roots sink deeper, closer to the warmth of the core of Earth and we all hold on, just a bit tighter, as we spin and make our way around the sun.