The Going Ons

I just can’t help but wonder about the topographies of my heart, and yours.
The quiet stacking of strata in contour lines,
ridge tops wearing the froth of the fir trees,
those easily fading low lands with unnamed horizons and pockets of stagnant water.
I wonder if the contour lines of my heart of hearts cascade like the earth
I walk, whipped up by the wind and laid down by floods in
purposeful folds and furrows:
always bending and breaking.

Purposeful.

I want to believe I feel these things for a reason.
That my heart is carved out, built up, stretched and suspended for a purpose.
I want to look at the map 
and know it was all for Good. 


{A topography hollow form ring built of sterling and prehnite.
Reverberating with space.
Extending along parallels.]
Marrow Necklace.
This piece is all sterling and features an organic little hollow form “o” and one of my sterling bones.  Once, RW said to me: Suck the marrow out of life and then have the dog’s part too.
I’ve carried those words with me over the years…now some metal carries them too.
_______________________________________________

The Going Ons:
One of my best friends breezed into town
at the perfect time:
She’s broken hearted and could use some of my magic.
I’ve been on the brink of my first summer melt-down due to a barrage of annoying life circumstances and I need some of her magic too.

Days are being spent on: French presses, dog walks, spinach salad, used book stores, Japanese restaurants, movies, evening drives up the mountains, sprinklers, popsicles, antique shops, laughter, tears and all that other stuff that meshes best friends together.

I’m so glad she’s here.
She is too.

I hope you’re all well!
x


PS  Here she is.  She’s so beautiful.  You’ve never been in the presence of a soul so big and bright.


Raised By Wolves

From the Naturally Occurring Objects Series:  
solid, cast sterling silver & 22 karat gold

Wearing it is like holding hands with your wolf mother: 
golden claws, matchstick legs, eyes like moons.

For Me & Mine

 Sometimes I put too many good eggs into one basket: there’s too much magic all in one place here. I don’t think this ring can go out into the world.


Last year, around this same time, I made necklace that had, among other stones, a set elk ivory. I shouldn’t have parted with it, but at the time, we had bills to pay and two long distance mouths to feed between Pocatello and Winthrop, so I let it go.
I wish I hadn’t.




But I can’t keep everything, can I!

 [sterling silver, Mexican fire opal, drusy agate, chrysoprase, weathered seashell and elk ivory]


I think…
I think this is mine.

The End of June Ringapalooza, 2011 (maybe):

Pearl, beach pottery from Mendocino County, California, sterling and one juicy, faceted cut of carnelian…giddy up!

Sterling, imperial jasper, pearl, aquamarine, chrysoprase and one very small pebble I picked up off a beach in Byron Bay, Australia.  I have carried it with me for a decade.  Now it is for someone else to carry.

And now, I’m going over to my shop to list these
smackerels.

Thanks for all the comments you’ve been leaving over on flickr with regards to these rings!  I appreciate it loads.
xx

Two More

 [sterling, imperial jasper and abalone shell from the Mendocino County, California shoreline]
[sterling, pearl, aquamarine and wave tumbled pottery shard from the Puget Sound, Washington]

Last week, while in the studio, I found myself focusing on combining colors and textures instead of metalwork.  I mean, the metal is making a home for a color story or two with regard to these pieces, but it’s the combinations of stones and organic objects that I want to shout about lately…not the settings.

Pure and simple.
Fresh and organic.
Unexpectedly elegant.
Let me weave you a color tale.
Let me drop it all into place.
These things seem to move like magnets, they push and pull each other into position until there’s a comfortable, resting collection for the wearing.  It’s been so wonderful and relaxing to work with these found bits and pieces…