DSCF1158Robbie came home from Oregon yesterday, mid-afternoon, gave me a hug and then worked the rest of the day. I feel like I haven’t seen him for such a long while.  I was gladly toiling in the garden, pulling fat carrots from the soil, picking onions, collecting squash and tearing up all the lettuce that has bolted for the sky.  I took the harvest into the mess hall kitchen and began to clean it and scrub it all at the sink, exposing the bright and gleaming skin that home grown veggies have beneath all that righteous dirt.

One half of the mess hall is currently the sew shop* — rows of industrial sewing machines line one wall and the hum of solid kevlar stitches landing in tight succession is the music I make lunch to lately.

There I was, scrubbing carrots, when I heard the fellas put on some Bob Dylan.  One by one, they all began singing along to the music, while snipping threads, setting grommets, loading bobbins and pushing thick cordura past sharp needles.  I stopped what I was doing, looked over at them, and simply enjoyed the sight of them being together, being manly, being quirky, being sweet, being capable, being themselves.

And my heart felt so full.

I thought to myself, “Run.  RUN and get your camera.”  But I knew the moment wouldn’t last forever, and so much of the beauty was locked up in the feeling of it, so I stayed and simply enjoyed it for what it was; I witnessed brotherhood, from the fringes, and didn’t feel left out for a single moment.

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I’m thinking a lot lately about what to give and what to keep.  What to catch and what to set free.  What to hold onto and what to release.  I’m thinking about how to share my life and my work and my learnings in a honest and open way while still retaining some special little secret things for the most special people in my life.

There’s a line here, scratched in the dirt, painted on asphalt, and to one side of it is “too little” and to the other side is “too much” and I keep on walking it.  I keep on moving forward and my feet keep falling where they may, where they might.

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I made a fabulous pesto for seashell noodles last night with sides of roasted squash and greens.  Everything came from the garden.  I felt rich.

Fresh Garden Pesto (roughly): olive oil, walnuts, lemon basil, pepper, salt, garlic and a smattering of romano-esque sheep cheese.

Dig it?

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*The North Cascades Smokejumper Base was built in 1939 — the first base in the program.  The buildings are historic, somewhat primitive and unevenly distributed between beautiful lawns, gardens, aspen groves, elms, ponderosa pines and locust trees on the edge of the airstrip.  It’s a beautiful base.  The buildings with air conditioning are the office and the mess hall.

When the weather is hot, the sewing machines are moved into the air conditioned space of the mess hall.  Actually, I think they sew in the mess hall in the winter, too, when the weather is cold and the loft is hard to heat.

Did you know that smokejumpers are master seamstresses?  They draft their own patterns, sew their own packs, travel bags, jump suits, and patch their own chutes…among other things.

https://www.thenoisyplume.com/blog/2015/08/09/10389/

Headed to everywhere.

IMG_4839IMG_4867IMG_4890-3IMG_4953I’m sitting here, in my studio, at my desk, trying to decide what to tell you.  It is cool outside, and even cooler inside this log house.  The dogs are laying in the dirt and pine duff outside the door and the breeze is blowing in and rattling all the beautiful things that create my space here.  I have been away for almost 30 days (I was home for only one day between trips).  I have been in tremendously wild places.  When I was driving my truck up the Methow Valley from Pateros two nights ago, when my foot was tired on the gas pedal and my eyes were full of grit, when I was braking hard to miss deer and imagining the trout treading water in the dark river to my right…I realized I was coming home; I realized I was reluctantly coming home to the Methow Valley.

When I left Montana three days ago, a beautiful Montana dulled by a thick blanket of forest fire smoke, a wild Montana I rode through on the back of a horse, the spacious Montana I saw 80 miles of from the back of a golden haflinger, I told my friends, “There is nothing for me in Washington.”

They laughed.

I think they thought I was making a melodramatic joke, of sorts.  But I wasn’t.  I keep thinking to myself, “We need to get back to Idaho.”  I keep wondering what will take us back to Idaho.  I keep wondering, “How long will it take?”  I continue to remind myself to be present, to love all that there is to love here, and there is terribly much to love about the Methow Valley.  Terribly much.  I am spoilt to live here.  I truly am.

It’s a difficult thing to explain, but I will try.  Washington is a wonderful state, but it simply doesn’t hold me quite like Idaho and Montana do.  It’s perhaps an issue of cultural discombobulation for me.  The closer I get to the ocean, to the coast, to the mighty cities there — the greater my sense of dissolution.  I can’t wrap my mind around the reality of huge populations of people who are without space (the kind of space I need).  It’s all too overlapping.  The stifled feel of it pours over the Mountains here and dissipates, slowly, until the heart of the interior chokes it out with its wide openness and stamping hooves.

I remind myself, the way we receive the space around us is a personal thing.  I need more than the average human…I am more easily infringed upon than the average human.  I always stand in a way that offers great space to the people around me.

What will take me back?  What will take me back to Idaho and the space there and the emptiness there and the way those two things sustain me, cradle me, inform my work, inspire the shutters on my cameras, settle my bones in their sockets, tether my soul?

I am not unhappy here.  I am happy here.  Here in Washington.  But the sense that the grass is greener on the other side of the state line, for me, grows stronger with every day.

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Yesterday, after an eternity of laundry loads, after cleaning the Airstream from top to bottom, after running the dogs, before dinner, before editing photographs late into the night, before I sipped on that delicious gin and tonic with garden cucumbers…Tater and I took a cruise in the ’71 and it was beautiful.  I’ve been meaning to take a self-portrait of myself, driving the Ford down a dirt road, from a wide distance, for ages now.  I’ll make similar pictures again, in the future, until I think I have captured it perfectly — the feel of homecoming, wandering, twilight, freedom, diamonds of dust and the nature of being on the road, headed to nowhere, headed to everywhere.

Headed to everywhere.

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My Flame

IMG_3673I suppose this is how I see him.  Exactly.  Rugged, capable beauty in a wild shower of flame and sparks.  Or perhaps this is my perspective of us; the earnest but volatile nature of who we are independently and corporately.  We are a pair of glorious, clashing and blending flames.

We just spent a full week together, which is something that NEVER happens during the fire season.  I came home from Alaska and we galloped to Pocatello to close on our house, pack up our life and stuff it in a storage unit.  We sold or gave away over half of what we owned and once the money was in the bank from the sale of our home, we drove and fished our way across Idaho until we parted ways in Spokane.  He headed back to Winthrop and work while I buzzed over to Montana to stage for a backcountry trip.  When we crossed over the Idaho-Washington state line we looked over at each other and said, “We have to get back.  We have to get back to Idaho.

I miss him.  I miss dreaming aloud with him.  I miss the tangible flame that has burned between us for over 11 years now.  Godspeed, babe (and soft landings), until our soul bones rest side by side once more.

A Round Up

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IMG_3520IMG_3270DSCF0097DSCF0159IMG_3375DSCF0202DSCF0201DSCF0190DSCF0177IMG_3542A belated Happy Canada Day to my people up in the true North, strong and free.

And a Happy Independence Day to my adoptive people, the brave, here in the USA.

I love you all, appreciate all that is good about you, and consider you my own, in every way.

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I’m headed for the tundra, glaciers, rivers, lakes, black spruce, blueberries, grizzlies and salmon of Alaska!

I’ll see you when I get back.

X

IMG_3246Let’s begin with the beautiful things.  Let’s end with the beautiful things, too.

There are swallowtail butterflies in the echinacea patch.  There are swallowtail butterflies everywhere, really.  The gardens outside the studio door are meant for butterflies and hummingbirds.  Its a soulful pace.  I wish it was mine.  I will build and grow my own garden like this someday, when we finally land for good.

A swallowtail butterfly landed on my ribcage while  I was sitting on the edge of the lake over the weekend.  I felt its papery wings beating against my skin, I felt our two hearts separated by the wall of my bones and sinew.  Its thorny feet forced a laugh from me and then it flew off into the wind over the water.

In the same place, yesterday, a hummingbird hovered inches from the tip of my nose for a handful of seconds (a handful of seconds is an eternity to a hummingbird) before it sat on a branch beside me and stared at me for a while.  Simultaneously, a bee was crawling on me and the feeling if its feet against the skin of my stomach was lovely and sensual.

Regularly, the male bluebird, who happens to be raising a family with his drab wife in the nesting box behind the Airstream, perches on a pine branch outside the trailer door and allows me to approach within a couple of feet of where he sits wherein we both simply look at each other, cock our heads to one side, and then eventually part ways.  I sometimes wish my skin was that shade of blue.

While I was picking raspberries this morning, a cedar waxwing alighted on a cane next to me, looked at me with one unblinking eye (what a handsome profile), picked a berry with his clever beak and flew away into the sun.

I think everything knows I am feeling sad, for a myriad of reasons — for myself, of course, but I have these occasional bouts of general melancholy for all of humanity and our planet and a kind of hopelessness sinks into my bones and i just have to let it fester there for a bit until it passes on and I find faith and grace and love again.  I’m also feeling hyper-sensitive about being a pest lately; I’m walking on self-imposed egg shells.  It makes me insular and hermity (more insular and hermity that usual, that is).

I am sitting on an Adirondack chair by the bee balm.  My legs, from the knees down, are being blasted by late morning sunshine.  The heat is almost burning, down there on my toes.  As I sat down this morning, I realized one of life’s greatest pleasures must be the simple movement of sliding into an Adirondack chair, the careful schloop of the arse across a series of parallel wooden slats, the gentle recline of the upper body until it comes, solidly, to rest.

There is a piece of heaven in a well built chair.

My friend sent me an exquisite essay about hearts and blue whales and hummingbirds.  The words are like a soft security to wrap myself in.

Which reminds me, I vowed to re-read all of Hemingway’s works this summer.  A Tour de Hemingway!  Will you join me?  I read the Ten Letters Project last week which I discovered through my (brilliant and ever evolving) friend, Esme — one of my favorite lines in the book (I underlined dozens of things in every letter) is this:  “Take all the risks.”  I think I shouted out YES when I read those four words.  The other thing I appreciated about this collection of letters is the fact that they make me feel like it’s normal to be a creative weirdo…if that makes sense…  Doing creative work can be complicated.  Doing creative work for a living can be complicated.  Being an independent artist can be complicated.  There are also times when you are faking the depth of your work and making it complicated when it isn’t and you’re tricking everyone, including yourself, except in your heart of hearts where you know, always, that you’re a fraud.  There are also times when the depth of your creative work is very real and is uncomplicated.  There are times when the complication is uncomplicated.  I’ve said the word aloud now so many times that it sounds bizarre.

I always think there should be two zeds in the word “bizarre” instead of two r’s.

I am also reading The Emerald Mile which is beautiful and makes me bitter in my heart of hearts that I cannot be in a boat every moment of the day on a river somewhere.  It’s an account of the Powell expedition of the Grand Canyon as well as a natural history of the Colorado River and also a tale of modern day adventure — to boot, it is wonderfully written.  It’s everything a superb book should be.

Last night, I went fishing, as usual.  I parked my truck in a little turn out along the Chewuch River, set up my rod, tied on a big dry fly and scrambled down the cliff towards the water.  The soft portions of the slope shifted and crumbled beneath my feet, grit found its way uncomfortably between the sole of my foot and the bed of my sandal, I paused a few times to shake my feet, loosen the coarse dust, dislodge small stones from my ginger arches.  The granite rubble held the heat of the day and was warm on the palms of my hands and fingertips.  I was sticky with sweat and bug bites and the moment I reached the bottom of the cliff and slid my feet into the water I felt one hundred degrees cooler.  I bent low, dipped my free hand in the river, and splashed a piece of it up into my face.  I stepped out and made my way across the current, fly rod in one hand and the other groping for steadiness, reaching for stone.  My well placed feet slipped off the slime of submerged river cobble and I said to myself, “Steady now.”  I made my way to the opposite bank, to the edge of night, to the musk of the willows and the killdeer piping.  I  loosened my line and began to cast my way upriver.

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“Just do your work.  And if the world needs your work it will come and get you.  And if it doesn’t, do your work anyway.  You can have fantasies about having control over the world, but I know I can barely control my kitchen sink.  That is the grace I’m given.  Because when one can control things, one is limited to one’s own vision.”

[Kiki Smith]

I realized, last week, when I read this quote, that there is something that has been shattering me, over and over again, that I have been trying to control, trying to keep my finger on, trying to guard myself from, trying to fight, trying to create a distance from.  I am dismantling (I am working on dismantling) my need to control it.  I am working on not being hurt about it anymore.  I am working on loosening my grip and letting it go.  I am working on allowing it to figure its own way out of the maze of bull shunky it has been building for itself.

I’m not free yet.  But I am going to be.  And it will be a sweet day when I am.

When I am free.

https://www.thenoisyplume.com/blog/2015/06/30/10329/