Out In The Tabernacle

The woods are performing extraordinary feats of weirdness lately.  It’s beautiful to watch, to witness, to walk out into and dawdle in.  The understory of the forest is burning away in the cold nights and hot days of September revealing everything I never noticed during the fat lush green of the summer months.  Each morning, I like to walk out on the road that runs East of the Little Cabin In The Woods.  Apparently there are plots of purchased land there where someday someone may eventually build cabins.  I am thankful such a thing hasn’t happened yet.  I like to be on the end of the road, tucked away and secret.  This road of mine leading East from the cabin is a road that is being reclaimed by the forest.  In point of fact, it’s more of a path now in many places, two track absorbed by grasses, shrubs and toadstools.  To make my way down the road, I scramble over and under fallen douglas fir, scoot under widow makers, scamper through thick alder, scrape my way through wild rose.  It’s a jumbly, tumbly, fresh way to begin my morning.  I call it “heading out to the Tabernacle” (I’ve always loved the sound of that word) where the trees rise like the graceful arches in ancient cathedrals and I bow my head and shut my eyes when I feel the Holy descend on my shoulders like doves.

There is much to see in the morning light and oh!  The morning light!  The way it falls and filters silver and gold through the timber, like someone far away in the sky is playing a glockenspiel and I see only a glimmer of the glinting tune falling through clear sky to land softly on pine and fir duff.  It’s exquisite.  It rained this morning and the world is wet with bright contrast.  The colors are divine, water droplets on leaf faces refract light.  The trees are dripping.  The moss is especially springy, rising up, plump on rainfall, merry little sprockets.

With all the rain we’ve had tumble to earth lately, there has been a mushroom explosion.  I thought to myself this morning, “If the earth laughs in flowers, it burps in mushrooms.”  Mushrooms are a sign of earth well watered.  They’re heaving up through the forest floor, lumpy and bumpy, mushy and crushy.  They’re such surreal little things.  Where the forest floor was once settled and relatively smooth, it’s now mumpy with mushrooms.  I bend over and inspect each one.  Some are larger than my head.  Some make minute paths like fairy trails through the mosses.  Some are grotesque.  Some are darling.

Some are so magical they emit rainbow auras!

I love it here right now.  Transition is in the atmosphere.  The forest is diligent about changing daily (hourly) and I keep attempting to notice it all.  If I only had a thousand eyes, a million noses, a trillion ears, an infinity of touch, I could notice it all and not miss a thing.  I could watch the turn and fall of every single leaf, the mottled and burned yellow of the aspen, the festering scent of must and mold, the elegance of the rose hips, the depths of the gills of every mushroom, the dorky antics of the ruffed grouse, the sound of a single leaf releasing the final silken fiber that connects it to the tree corporeal.

Shimmy shimmy shake!  Have I told you that Robert and I are working on a dance routine?  It’s true.  Maybe we’ll film it for you sometime!

 

https://www.thenoisyplume.com/blog/2013/09/12/6762/

Coming On Like A Freight Train

[sterling silver, copper & seed beads]

You know, travel is a two edged sword for me.  That thing they say:

“Every day away from creative work will take you three days to recover from.”

Well, it’s true!  I will testify!  Tragically/blessedly, I was away in Idaho for ten days…that makes for a thirty day recovery period (ahhhhhhhhhhhhh I will never make it!!!!!!!!!!).  Today I finally felt like I had a bounce in my step out in the studio.  Every morning, for the past week, it’s been like yanking teeth to get me out here, working, sweating silver, dreaming up good stuff.  Seriously.  I ran 14 miles on Monday because I was feeling mildly avoidant. What do I do when I am religiously avoiding the studio or any kind of creative effort?  You don’t want to know.  It’s all freaky.  To boot, we are leaving the Methow Valley and moving home to Idaho in the next few weeks and I tend to sort of withdraw from my creative efforts when I feel a transition is looming — a bit like a military wife when her husband’s deployment is a few days away.  Wait.  Can I compare my work to a husband?  I suppose I can.

Anyway, today me and the hammers and the flame and all my other tools and bits and pieces were really jiving for the first time in days.  I only had four hours to work after running errands down in the valley and look at what happened!  Some darling little cutie pie earrings surfaced!  Thank God for those little cutie pies.  I can feel myself coming on, coming on like a freight train.

But let me be frank, they’re pretty awesome earrings.  I really like this design.  I feel like my white-girl-whimsy was working double overtime today.  Good news:  I actually started four pairs of these babies (or variations on this design) and will turn out a few more in the next few days.  What do I love about them?  I love that they are oversized post earrings, that they are three dimensional, that the post component is a beautiful leafy shape, that there is color involved as well as some organic forms and textures as well as nice movement.  Delicious.

I have more to say but I have to run!  A friend is hosting a dinner party tonight and I’m already late.

Toodaloo!

X

[Summer Bones Ring :: sterling silver & prehnite]

One ring from a little series I am working on.  Bold and whimsical.

https://www.thenoisyplume.com/blog/2013/09/10/6750/

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