More of the same. But different.

[sterling, 23 karat gold, lapis lazuli]

[sterling, 23 karat gold, aquamarine]

[sterling, 23 karat gold, aquamarine]

You know, all of this crazy lichen business began when I found a flippery and floppery, arm sized chunk of the stuff at Feather Beach on Diablo Lake here in the North Cascades of Washington.  By the way, Feather Beach is what I call that beach, so don’t look for it on a map.  Regardless, we’d all be bored to death like a handful of  blasé, simmering and simpering dumplings if this series was repetitive and going nowhere but I’m glad to say it’s going somewhere and I don’t feel I’ve reached the end of the line yet!  Each new design grows in trembling leaps and bounds every time I sit down to create and I like that growth very much.  It’s exciting to experience the snowballing of an idea, repeatedly, and I’m so thankful that I have enough time in the studio to really explore lichen forms as much as I want to.  You know, this entire series really began with the enameled Host Necklaces I worked on a couple of winters ago.  That series (and this one, continuing) was all about  human symbiosis — choosing what we host in our life with regards to where and what we pour our energy into, and what we receive energy from.  I think all the lichen work I’m doing is still attached to that very same personal delving I was doing and am doing now, regarding how I spend my energy and what/who I allow to attach to myself and feed off my energy.  There you have it.  I don’t always give you the roots of the reasons behind my work but energy expenditure is really on my mind lately and so, I find it trickling into my work.

In other news, I found a partial fawn skeleton while running the mountains and have been boiling an entire spine segment all day long in the kitchen.  It reeks something awful and Robert is not surprised with my kitchen activity or amused, to say the least.  Good wives make dinner (or some such thing).  I boil bones — they are not good for eating.  It seems like such a morbid, gross activity, to have scraped the last of the tendons and sinew from vertebrae and pelvic bones with a paring knife in the kitchen, but it’s what I’ve been doing.  I’d like to make a vertebrae mobile.  They’re so white and delicate when they’re stripped down to their barest.  I like to find bits of animal while out in nature — it reminds me how I was fearfully and lovingly designed and knit together in my mother’s womb.  We all have the same things, you know, beating hearts, warm flesh, kidneys, brains, fluttering lungs, and thin, wavering strands of DNA that tie everything together like ribbons on Christmas packages.

It’s Friday!  What the heck do you have planned for the weekend?  I’m planning on working and spending the hottest parts of the afternoons at a lake in my sea foam green bikini, perhaps with a cold beer nearby and some guacamole and chips on hand.  It was so hot here today, I thought I might perish.  This body was meant for winter.

Have a beautiful and restful weekend, wee birds.  I’ll see you in the week to come.

xx

:::POST SCRIPTUS:::

This is for waggling about.  Turn it up.

Growing Younger


We went to Hannah’s for dinner last night.  Before we sat down and feasted like a king and queen with all the other kings and queens who were in attendance, we went ambling in the gardens where the world was so brightly leaping and green.  I picked ripe cherries.  RW ate the fruit directly off the branches of the trees.  I was shot in the face by the sprinkler.  RW gave me a piggy back ride through some prickly grass because it’s summer and I didn’t wear any shoes to Hannah’s house.  Summertime, in years past, has been such a solo event for me, hanging together like a frayed piece of sun-bleached fabric.  Just holding on.  Now I feel like my arms are open wide and I’m gathering everything into my generous embrace because there’s space here for collecting hearts and gifts and for seeing with clear, open eyes and following curious little trails into the great big yonder.  I’m in some kind of paradise right now.  Not everything is perfect, but my cup runneth over.

Summer is for growing.  Summer is for growing younger.  I hope you’re growing younger too.

Brave Breastplate & The Others

I wanted to post a few images of some of the enamel work I’ve done in the past few weeks.  Back in Idaho, there was a bit of a debate as to whether or not my kiln was coming with me to Washington this summer.  I didn’t know if I wanted to travel with it or if I’d even have a place to plug it in — I didn’t want to use it in the Airstream Studio, it would make my work space terribly hot.  But I knew I’d want to explore with enamel over the summer months so my kiln came with me.  It was a good decision!  As it stands, I’m enameling in the garage here which keeps the Airstream temperature tolerable and keeps me digging deep into color and form!  Here are some of the bits and pieces I’ve been turning out:

Trade Bead Necklace: Land of Ice and Snow [copper, enamel, graphite & deerskin]

Lichen Ring [sterling, copper, enamel, 23 karat gold]

Lichen Necklace [sterling, copper, enamel, graphite]

Brave Breastplate [sterling, 23 karat gold, copper, enamel, graphite, drift wood, hand dyed/naturally dyed silk, deerskin]

Brave:  Ready to face and endure danger or pain; showing courage. 

I haven’t talked much about the Brave Breastplate yet, so here’s a bit about where it came from.  I wanted to make a big, monumental piece of jewelry, inspired mostly by Native American jewelry but not Southwest Indian jewelry — the kind of jewelry the Cree, Chipewyan or Metis used to wear back in the day when folks were trading beads, and wearing bones, wood, animal hide and porcupine quills.  Something bold and delicate, natural and textural, strung together with deer hide.  My Brave Breastplate brings a bit of funk and a bit of the natural, all at once.  Did I have to go this big?  This whimsical?  No.  Not really.  But when I sat down and looked at all the enameled components I had prepared I put things together until they felt right.  Big, bold and beautiful is what felt right.  To be honest, it takes a little courage to make something this wild and free. I pushed this piece beyond itself in order to symbolically (and literally) show no mercy to my fear.

There you have it.  The Brave Breastplate:  Show no mercy to your fear.

Clean White Pages

I began a new journal this morning.  I use a large book (about 8×11 inches) for writing and sketching.  Each time I use up the last page in my sketchbook journal it feels like a momentous occasion — like a huge goal has been actualized.  When I sit down to start a new book, I feel like the first page can set the tone for the next section of life I write about, for the designs I dream up in metal, for the hopes my soul brings to light as my pens and pencils drift across paper.

This morning, I lit a gritty wand of marvelous coconut incense* I found at a local shop, wedged the smoking twig in the deck railing and simply watched the smoke curl and twine as it burned down.  I looked out at my river valley and the snowy peaks beyond and felt tranquil.  Unhurried.  I found myself thinking, “I am supposed to be here, and so here I am.”  I felt so completely intact, whole, cognizant of where my body begins and ends, aware of the capacity I have to shine, intent, content, unhindered.  My palms felt full of light.  Some tightly closed door in me fell open and I felt fully dimensional — utterly vibrant in essence — I saw myself in that smoke, the way it unfurled freely from the glowing tip of the incense as a white, expanding ribbon of perfume, pushed and pulled by an inconstant breeze.  I saw myself there, waxing and waning, full and thin.  I liked what I saw.  The drift, the pull, the gravity of sinking and rising ribbons, the spooling and looping of a wisp.

I’m thankful to have finished this journal.  The contents of it are weighty, at times, but light and exploratory, at other times.  But the weighty content, I have felt, deep within.  In some ways, traveling with it and toting it around the world with me was a heaviness, a burden of sorts, I will feel lighter when I set it on the bookshelf in the studio and only refer to it when I need to see the thoughts and sketches of the past.  I closed that journal this morning and thought about how I can be guilty of trying to keep a dead thing alive when it really belongs in its grave, at rest, forever.  I’ve been carrying something, permitting myself to press (and access) a deep bruise over and over again.  I’ve been rejecting the healing that is offered to me every moment of every day, the healing that comes with laying down my hurt and letting it fade away in its grave.  I thought something was repeatedly hurting me, breaking me, harassing my soul…but the truth is, I was keeping a dead thing alive, instead of laying it down in its grave and saying goodbye.  We’re all doing something like this, every day, so I’m not beating myself up over it.  To hang onto our hurt is such a human act.  In fact, I’m so thankful that I realized what I am guilty of this morning when I shut another bound edition of my life.  I cried a bit, from the realization, from the relief of suddenly seeing and comprehending my mistake, from the hope of seeing so many perfectly white pages opening up before me.  I suddenly understood and the billows washed over me.  Deep cried out to deep.

We can be so busy living in front of ourselves or behind ourselves, but never really in ourselves.  We have to look up, look around and realize that we’re exactly where we’re supposed to be, and so here we are, body mind and soul, in the land of the living.  We can let the dead sleep with the dead.  We can lay those things down and allow them forever rest.

——————————————————————————————————————————————————

I’ve been meaning to write about all the books I’ve been reading and some of the music I’ve heard but I’m going to save it for tomorrow.  I hate to exhaust or overwhelm you!  Go forth today and be courageous in all you do.  Be brave.  I believe in you.

xx

*I was never fond of incense until I was on a climbing trip in Squamish, hiking through an old growth forest with my climbing partner and girlfriend, and I caught a random whiff of scattered Nag Champa smoke.  The scent was so musky and elusive.  The forest was so green and silent.  My friend and I ran through the forest, following the smell, until we found where someone had lit a rod of incense and placed it in a mossy tree stump.  It was gorgeous treasure.  I felt like I had bodily passed through a dryad, like a ghost walks through a wall.  It was a beautiful moment and I’ve loved to burn incense outside ever since that day.  I don’t like to be surrounded by the thickness of incense smoke in a closed space, but I like to catch a tiny flicker of it on the breeze from time to time, while I garden or write — it feels like delicately holding the frayed edges of a wise secret between pointer finger and thumb.

Just for one of those mornings when you wake up to feel such newness — the fatigue from the day before has faded into sunrise, one hundred swirling birdsongs and the flecks of tea leaves in hot water.  This is one such morning, picked ripe from the branches of a deep sleep.  Already, I have done such good work today.

https://www.thenoisyplume.com/blog/2012/06/27/4711/