Fifty Bucks

I wouldn’t call myself a slave to the work, because the work has brought me joy, but I have been galloping since May while working on a big project and on the fifth of September I suddenly felt my world slow down.  I was eating dinner with a film crew on the edge of the lake in McCall and I let myself relax.  I felt it in my bones, in my neck muscles and shoulders — something easy passed over me and my work-hardened spirit softened.  At some point, after our table had been cleared, I looked out into the night where a floating trampoline sits in the lake and I asked the crew (who are my real life friends) and Robert (he was there, too) what it would cost them to swim out to the trampoline and do a backflip.

Someone said, “A thousand dollars!”

Some other numbers were tossed out and we mulled it over for a time and I spoke the words, “Fifty bucks.”

One of the guys reached into his wallet and pulled out a wad of cash, set it on the the table and we all sat there and looked at the money for a moment.

Then I stood up, climbed over the stone wall that separates the dining patio from the beach and I took off my corduroy pants and button down shirt and waded out into the lake in my underwear beneath the night sky.  When I was hip deep, I submerged myself and began to swim, thrilled by the feeling that comes with being in water in darkness in the summertime.  When I reached the trampoline, I climbed up the ladder and jumped around for a bit while my friends laughed with delight from shore.

The water was warm.  The act felt young and true and free of the responsibilities and seriousness that comes with being thirty-five years old.  I swam back to the restaurant, stood dripping on the patio, wrapped in a down jacket, smiling and shivering and Robert said, “Well guys, I guess we’re going swimming.”  They, too, left the table, stripped down to their underwear and swam out, eventually doing backflips off the trampoline into the lake.

I never did pocket the fifty dollars that my friend set on the table.  The money wasn’t my reason for swimming.  Nor did I do it for attention.  I did it to make a memory with the hopes that my friends would choose to make a memory, too.  I did it to feel young and free and wild.  I did it because I knew should not, because it’s not considered ladylike to publicly take off your clothing and swim around in your undies while people eating in a nice restaurant are watching.  I did it with the hope that others would follow in my mildly outrageous footsteps and find themselves ageless for a moment.  I did it so we could all swim out and feel the night surround us, paddling with childlike strokes towards distant lights.

I hear water pushing past granitic forms like antlers cutting past snow ladened wind — elemental and musical, tooth and nail.  Pine and fir are rusting in a smoky breeze.  I smell the rot of dead salmon.

Closer to the lake, the kokanee are running.  I stand on a cut bank, look out over their neon bodies and watch them stack up in a deep pool, ritualistic, mildly pissy and faithful to their ancestry.  I, too, must make my journey, pass upward against the current, be cut down by wind, whittled by water and refined by flame.

 Two boulders down, I see a sipper surface.  I open my fly box and choose again.

https://www.thenoisyplume.com/blog/2017/09/09/integration/

My gardens have such a strange way of lending me peaceful energy.  I like to pick in the cool of the morning and tend in the waning heat of the evening.  Today was such a long, hot day, nearly 100F and full of soft struggles that nipped at my patience and felt pathetic and like suffering.  This evening, I mustered the last of my strength and set out with a desperate heart to catch up on my tangled cucumbers and eggplants divine.  My garden sits in a hollow beneath a rise of stoic sage, pine and poplar.  As the sun sets, the light dims and fades until my plants are in delicious shadow and the mysteriously dank scent of tomato leaves begins to spiral upward.  The cool of wet earth spools around me and I find myself refreshed and invigorated in a quiet, sensory way.

I think this is how flowers feel

when the day finally breaks back upon itself and a riptide of night moves fast to the West

and the bugs spread their wings and fly towards the last of the sun.

https://www.thenoisyplume.com/blog/2017/08/29/13208/

Eden

Every day is Eden.  We make our choices.

+++

I picked the garden early this morning.  I marveled at my patch of cosmos and sunflowers.  I remember sowing the seeds for those flowers and wondering if everything would blow over in the vigorous gale that often sweeps upriver in this high desert country.  To my amazement, I haven’t had a single flower knocked down in the wind and some of my sunflowers are ten feet tall!  I have a theory that the more a tree or plant is battered by the elements, the stronger it tends to grow.  There’s a reaction to wind, specifically; roots spread wider and shoot deeper so that a plant is tethered to a greater anchor.  My garden has been wind-abused but not broken and so it has grown all the more beautiful and splendid.

I walked my excess cucumbers over to my neighbor’s place, chatted for a while and then made my way home to my kitchen where I am batching spicy cucumber pickles and cardamom plum jam.

I have a simple Sunday ahead of me.  I wish you could come work with me, side by side, rejoice in the bounty, play with the kittens and laugh with me like sisters and brothers do.

X

I fell asleep with a splitting headache last night — slathered in lavender oil with an icepack on my neck.  I woke up free of pain this morning.  It was a transformation.  I was healed in the quiet of the night.  I hopped out of bed, threw on jeans and a sweatshirt, let the dogs outside, played with the kittens for a moment, stepped back in the house, fired up the studio, put the kettle on the stove and turned on Rose Cousins’s “Let the Light Come In” — a song I play when I want to be cracked open.

I stood in the kitchen, my bare feet pressed tight against cool hardwood, the grey light of morning streaming in the windows.  I reached my arms out, feeling the slow pull of my chest muscles reaching deep into my biceps, down to the bones of my wrists, into the buzzing tips of my fingers.  I raised my hands above my head, pushing at invisible things, sinews heaving and hauling.  I burst into tears right when Rose sang the word “forgiveness”.  I stayed there in the kitchen, swaying and moving to the music, folding and unfolding, paying attention while shifting and sifting through my body, from top to bottom, isolating and caring for specific muscles and joints, stretching them and rotating them until everything felt loosened and lubricated.

I thought a thousand different thoughts while I was moving to that song.

I heard the kettle heating up.

Penelope barked.

I saw water turn on in the side hayfield and I watched farm boy head down the driveway, his morning irrigation duties attended to.

I recalled my time with my grandmother in Saskatoon, how I took coffee over to her place and as I sat down in her living room I remember distinctly thinking, “I will sit on the loveseat because the sofa is Grandpa’s spot.”  Even though he is gone, I wanted to leave space for him in the room.  The whole time I talked with grandma, I was aware of his absence.  If he had been there with his twinkling blue eyes and his funny laugh I’d have asked for a couple of good stories about the olden days and draft horses and thunderstorms and heavy machinery accidents…like I always used to.

Where did he go, anyway?  Where does everything go?  What were these aching cells of mine before they became me?

The sun suddenly hit the canyon wall and the world turned gold and the palest blue, like faded robin eggshells.  Rose sang out, “Let the light come in…embrace it…” and I reached out wide once more, opening to the morning, to the new day, to a blank page, to possibility, to daydreams.

The kettle whistled.

I began again.

https://www.thenoisyplume.com/blog/2017/08/26/13179/