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In Saskatchewan in the fall, it is the Snow Geese and Canada Geese in the wheat stubble, taking off as one with extended necks and incessant honking.  They fly like city drivers, making haste, coursing like blood through a vein, running red lights, peppering the grey doom of the Arctic fronts, harbingers of minus forty degrees.

When we settled into Alaska, it was the ptarmigan on the ridge above the glacier where we saw the grizzly bear while we were picking blueberries — flecked and strutting, beady eyed as chickens and taking to flight only after lingering too long.  Easy fodder.  Feet furry with feathers.  There, in that untamed state, it was also the spruce grouse bursting forth as we walked along the Klutina River, drumming into the distance with rust in his eyes, our hearts beating faster from surprise.

When we came to Arizona, it was the Gambel’s Quail at roost in the red rock wash behind the fish hatchery, on the Colorado River.  In the saturated violet of dusk I felt the covey rise up from the willow branches, brushing my cheeks with their flight feathers, cheeping and chittering as they went and I found I was in the arms of a great seraphim — all wing and flame — and I cried out, “Holy holy holy.”

On the Snake River, it is the California Quail covey busting into the breeze while Tater Tot and I hunt into the wind and setting sun, along the rapids, beside the sage.  It is the starling, moving as they will in great acrobatic swells against the snow and gale force, invasive and voracious, thinking as one, flying as one.  It is the whistle of primary feathers as the hawk zooms on the updrafts at the edge of basalt cliffs, swooping with talons open to clutch a chukar in flight as I swing my shotgun through the air and then pull up at the last moment to watch the fit as they battle for survival.  It is the short eared owls, rising from the sage as a parliament of thirteen on a crystalline winter afternoon; I wonder if I have gone deaf as they lift up, so silent are their feathers against the frozen air.

I’ve always thrilled at the sound of rushing wings.  A bird overhead.  A raven by surprise.  The thing with the beating heart to stud the sky and stall my senses.

https://www.thenoisyplume.com/blog/2016/12/26/12459/

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It’s all frozen now, including the trout pond at the farm, which I will skate on tomorrow morning.

https://www.thenoisyplume.com/blog/2016/12/18/12446/

7i9a72087i9a7248So much of my inspiration of late stems directly from the chaotic surface of my workbench in the studio where half finished thoughts are splayed out in every direction like sun-wounded jellyfish on a beach.  Unrelated components lay there as testimonials of interruptions that have stopped me and the metal mid-sentence…a phone call from my mum, a text from a friend, a gaggle of house shopping folks to view the strawbale house and stare at my weird collection of skulls, turtle shells and houseplants…a dog barking at the UPS man, the insane daily scramble to get to the post office before it closes (it’s only open from 9-12:30 — excluding Saturdays) (mail delivery on Saturdays is one of the most beautiful things about America to me, since I am a true epistle-ophile) (not a real thing but you know what I mean).

There’s the litter of half formed thoughts on my bench top, the detritus of everything that almost made it into something bigger than itself.  This is the time of year I feel a self-induced pressure to button up the studio, gather all these broken thoughts and inturrupted ideas and complete them so I can end the year with a clean slate…time stamp the designs of this past year and move beyond them into newness.

I don’t think I ever have a sense of ‘Christmas Rush’ — I think I suffer dearly a strong sense of the tail end of a creative year and the need to clearly catalogue what happened and when in my creative life.  I want it all finished.  This year, there is the added complication of needing to pack up the studio and move it into the new house which is a notoriously discombobulating deed.  Things go missing even if I’m only moving my workspace a square mile to the left…things go awry.  It’s like socks and washing machines.  There are some mysteries we humans will never solve.

I am going to keep working up until the moment I have to put my tools in boxes and move them to my new light-riddled workspace at the farm but these are my final offerings for 2016.  They’ll be in the shop tonight, at some point…or if I suffer sudden fatigue (which happens every day now), tomorrow morning.  Oh dear.  Sudden fatigue just happened.  Tomorrow morning then…

Thank you all for your support in 2016.  I have a holiday giveaway for you that I will post in a couple of days.  I look forward to popping the cork on 2017, settling into work and life and a new home, feeling some of this unsettledness fizz away, delving deeper…going beyond-er…tending to my wee family which is still suffering from post fire season frazzle…

Eggnog.

*clink*

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https://www.thenoisyplume.com/blog/2016/12/17/12428/

Fishy Business (and a brief renovation update)

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At long last, a return to trout!  7i9a7145

I love these little swimmers.  The selective satin finish and the blaze of 23K gold down the lateral line of these fish forms give the motif some really lovely yet delicate dimension.  I just listed a batch in the Etsy shop and they were snapped up quickly but I’ll list a few more tomorrow for anyone who is interested.

It’s been snowing and sleeting and raining here but cold enough for the ground to stay frozen so water is standing on the roads and trails.  It’s such a mess.  Poor Penelope never thinks to go around these road swamps when we’re out gallivanting.  Maybe her brains are frozen…or perhaps she is boldness incarnate!  Boldness!  Thy name is Teenie Weenie!

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The house renovation plods on.  Here’s a glimpse at the kitchen though I believe all the drywall is up now and there’s nothing to give a girl hope that the end is near like fresh drywall, taped and textured and awaiting paint!7i9a7093The beams you see running through the ceiling will be covered in custom built fir casings to match the rest of the exposed cross ties in the house and the tile is pulled and being replaced with hardwood to also match the rest of the house.  The inset lighting is in and brilliant — everything is on dimmer switches and really nicely spaced out.  We wound up going to a custom cabinet maker in the city for our new cabinets — they’ll be walnut with a really lovely quartz counter top, slide in stove range and a huge farm sink in which one could take a bath.

Our renovation schedule is insane and we had to cancel our trip home to Canada for Christmas (which I am exceedingly sad about).  On December 29th all the hardwood floors we have installed (this is in progress currently) will be finished and sealed just in time for the new cabinets and counters to be installed on the 3rd of January so that we can move in on the 9th and 10th…painting is happening sometime in there, as well, and I have to get the studio packed away and shuffled into its new space, thank God this is the last time I will have to do this for a long while.  I can’t stand moving the studio.  It’s no small torture.

Why the insane schedule you ask?  Well, the strawbale house just sold!  We’ve got to get the heck out of dodge!  I’ll be honest, the strawbale house was shown a few times which was quite disruptive for me since I work from home.  I’m glad that’s all over (and that’s no offense to the realtors who were showing it, they are really lovely people).  Sadly, the strawbale house will become a vacation home.  I say sadly because I really feel this structure is terribly unique and it needs someone living in it full time, taking care of it, loving it, keeping nature from moving in and taking over.  It needs landscaping, trees planted, noxious weeds eliminated, tender loving care of the grounds.  I would have loved to see it go to an artist…it’s so well suited for hermity living and the river is such an inspiration and a constant source of beauty…it’s such a quiet, calm space.  Rob tells me I have to be ok with it.  And I suppose I do have to be ok with it.  I’ve cherished living here though, it’s been more than an interim home for me, it’s been a sanctuary…and I guess I would want the next person who lives in it to have the same sense of wonder and that we have had while living in this home.

So long, strawbale house.  It’s been swell.

Last night I looked up from the workbench in the studio and realized I had almost waited too long to go running.  I quickly popped myself into a pair of fleece tights, threw on a wool base layer, zipped up a coat to break the breeze and tied on my shoes. While I was slipping my hands into my gloves I summoned the dogs and we all stepped outside, into the crisp winter air, and we tore down the road towards the sunset like a flock of wild beasties.

It was gorgeous out there.  I ran the canyon rim, felt my lungs flare wide as I sucked cold air down into the bellows of my body and exhaled white against the gold of the sunset.  I ran in and out of shadow and light, through the sage, around crumbling basalt, over coyote scat and rabbit tracks.  I felt my body let go of its kinks and cramps.  My spine straightened and my stride lengthened.

When I finally turned to head in the direction of home, a full moon was rising and the wind had grown frigid. My feet took me down the mesa onto an undulating trail by the river.  There, as I traveled home, I watched the moon rise four times as my perspective shifted and changed, as my legs took me down into drainages and then up high on the river bank once more.  I saw the light of that great stone peek out from behind the canyon wall and then hide away again, as though we were playing cat and mouse with each other.

I wondered, as I ran the last half mile home on the driveway, what it would be like to keep pace with the sunrise or sunset — what if I could move fast enough that I could hold my own against the spin of the earth and watch an unending diminishing of day?  Then I wondered how fast I would need to run in order to sustain that kind of beauty.  Naturally, I researched it and I discovered that if I wanted to keep pace with the sunrise, if I wanted to make it last and I was running along the equator of this beautiful planet, I would have to travel at 1040MPH.

That’s too fast.

I’ll take my sunsets and moonrises as they come, short-lived and magnificent.

Life is overfull here and our velocity is utterly unsustainable but there is a light at the end of the renovation tunnel and we can see it shining brightly.  Below the house, the river flows ceaselessly and I think I know how it feels as it tumbles over the stones, cuts away at the canyon, urging itself faster and faster like a runaway freight train.  I go down there every day to be closer to the rumble of the rapids and to be in the company of something else that seems wild and out of control.  Maybe at the end of all this hustle and bustle I, too, will spill into a wide, calm sea and the sun will warm my tired bones and I’ll float for a while with my arms and legs splayed out in the style of a starfish.

In the meanwhile, I whisper my invocations into the whitewater and take my little pleasures whenever I can.
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https://www.thenoisyplume.com/blog/2016/12/13/12409/