Early To Rise

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I woke up terribly early this morning, around 4:30AM-ish.  I was out of bed by 5AM and I know why!  I ate not one, but two cuts of antelope backstrap for dinner last night (keep in mind, this is American pronghorn we are talking about, an antelope steak is tiny compared to a beef steak).  I was thinking about it and I realized that our diet here is pretty vegetarian.  I know this probably comes as a surprise since we spend a lot of time hunting. But here’s the thing, we don’t eat meats every single day.  We eat a lot of eggs.  I think we consume red meat every 1.5 weeks or so and then, of course, upland meats here and there.

Last night I grilled that backstrap and then sliced it up to go on top of a huge pile of greens, artichoke hearts, toasted walnuts, carrots and cucumbers (this is one of our very favorite meals here, Robert swoons for it).  But that red meat is so clean and wild and fresh and beautiful and a rare enough portion of my diet that it gives me a huge energy burst which signifies the importance of animal proteins to my very cells!  Early mornings like this, in my life, are always a product of eating elk or antelope or deer the night before.  Clean meat really works.  I believe in it.  When this body wants it, this body gets what it wants.

This is all to say, it was early here and I was outside right as night was turning to morning, the dusky quiet moment when all of the life on the river begins to stir in anticipation of the sunrise.  I saw a flock of pigeons flitting about at the edge of the cliff, the white winged doves zooming about in pairs as they tend to do, Canada geese overhead and down on the water, a variety of ducks, cackling pheasant roosters above the house and the quail covey chattering down below, incoming herons, the bald eagle, yellow winged blackbirds, robins, meadowlarks (oh my heart) and down on the water, fish were belly flopping all over the place like they were performing for a cheering crowd at Sea World.  It was beautiful to be out in the quake and clamor of it all.

I am reminded now of the time I went out with an acquaintance of mine who is a recordist (he makes recordings of nature sounds and is an incredible naturalist, to boot) to a huge marshland near Soda Springs, Idaho.  He was hoping to capture the sound of cranes trumpeting in the early morning.  We arrived at the marsh around 3AM, plugged in all the high-tech recording devices and sat down with headphones to listen to the world wake up.  Lang’s recording equipment was so sensitive it could capture sound up to 8 miles away and you really cannot imagine what I heard that morning.  I could hear ducks smacking their beaks, water swishing around the knees of herons…

The memory of it still blows my mind and I wish I could relive that symphony of sound over and over again.  It was gorgeous to hear the marsh stirring in the tiny, dark morning hours and the depth and breadth of the murmuring under high quality amplification — it changed my awareness of sound.  Forever.

I think Lang looked over at me as the marsh began to stir and he smiled when he saw my face, I am sure my expression was one of sheer rapture and elation.  It was an experience I’ll never forget and one of the greatest gifts of sound I have ever been given.

After this experience, I began to wonder about micro-sounds.  The tiny sounds that our weak human ears cannot register, like the musical tone of cotyledons pushing up through soil, the leathery sound of chartreuse leaves unfurling or the crunch of dirt molecules beneath the feet of ants.  What does that sound like?  Don’t you wonder?  Does anyone but me wonder about these things?

I like to be able to really sit back in a wild landscape and spend quality time in sensory immersion.  Sometimes I go crazy and let myself sense it all, all at once, but it’s also nice to isolate a sense and consciously go deeper with it.  In these waking springtime moments, when the world is so fresh and pungent and stretching, I find the swirl of details keen and bright.  It’s a wonderful time of year to squander the morning hours on sensory experience.  Which is exactly how I spent part of the morning today.7I9A2323-2

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Besides all the regular, wild-haired, nature girl stuff, I vacuumed up a black widow spider this morning.  I’ve been letting her live in a wee nook in the kitchen window frame for months now but she has grown very large since we first met and lately I’ve had a sense of her watching me, not to mention I am terrified she’ll lay a nest of eggs.  So I ambushed her with the vacuum at approximately 6:01AM and she made a *thunking* noise as she flew down the hose like when you suck up a nickel.  It was disturbing.

I’m almost finished meeting a bevy of deadlines here and have been slowly re-entering into studio work after a few days away from the bench.  At midnight, a couple of days ago, while waiting for my WIFI to ramp up so I could upload photo submissions, I was doodling in my sketch book and writing a poem when this ring design came out:

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It’s a continuation of my Rags & Riches Series and it’s so delicate wearing!  The bird and feather are one piece of metal, connected thinly by careful sawing and hammer formed in opposite directions (which was a challenge).  I’m working on finishing an essay currently but am hoping to have a few more of these made for you by the end of the week.

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The point of this is not to rush, not to hurry, not to make as much as possible as quickly as possible, not to be wooed by the promise of profit and fame and attention, not to suffer from narrow sight or insecurity.

The point of this is to aim for perfection, to strive for honesty, to hone craft, to draw on personal experience, to comprehend the depth and root of inspirations, to develop a personal aesthetic, to allow that aesthetic to evolve and change, to be breathed into and thereby connected to the Creator and thereby connected to creation, to turn off the light at night and have a sense of completeness and enough-ness, to feel joy while working but to understand and embrace suffering, to transform each scar and wound into fully healed and robust beauty.

The point is to grow big enough as an individual to not embrace envy, to not foster bitterness, to do your own work (work of the hands and work of the soul), to shine brighter yet, to feed passion, to create with conviction, to learn how to fuel intensity, to keep your commitments, to apologize when you need to, to hear intuition, to know when to say yes, to know when to say no, to build successful boundaries, to grow generous, to bravely fail and courageously succeed — they are one and the same.

The point is to do it because you love it.  To love it because you have to do it.  Whatever it is.  To break your own heart in the pursuit of it.  To be healed by it.  To have your weaknesses illuminated by it.  To be refined by it.

Work is work whether it is rooted in an 9-5 office cubicle, a janitorial closet, a schoolroom or in a small nook you’ve claimed as a studio space in a strawbale house perched on the flank of an emerald river.

Love your work.

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https://www.thenoisyplume.com/blog/2016/03/02/11329/

7I9A2230Three American turquoises in teal, powder blue and green as well as one very teenie mustang.  Inspired, no doubt, by all the incredible rings of stature (Southwest Indian handcrafted) I saw while diddling around Santa Fe and Taos over the past few weeks.

FACT:  Bigger is usually better.

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https://www.thenoisyplume.com/blog/2016/02/22/11322/

Freshly Finished

7I9A2212These necklaces turned out so well. I started in on them before we left for New Mexico and just finished them up moments ago.  The variscite featured in these simple settings is rich and vivid in smooth cuts (I’m crazy for this hue of green lately) but what makes these necklaces really lovely is the articulated double bail points made of four hammer formed, hammer textured, hand pierced birds that seem to make the stones gently drift in place around the neck — like a piece of beautiful debris riding the surface of the river.  The word fluid comes to mind.  To be frank, it’s just a great design.  I can’t wait to hear what the three of you think when you put these necklaces on for the first time, whoever you may be.

I’ll try to have these beauties in the shop for you on Monday, as soon as I can properly photograph them and build listings.

Now I’m off to practice my spiritual gift which is randomly finding antlers while joyfully strolling about under this wide, Western sky.

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An Ordinary Night

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Suddenly, I found myself with a wealth of time on my hands.  I was supposed to spend almost all of March with my cameras in Canada on a sort of expedition and at the last moment, the main backer for the trip dropped the project.  That part of the situation was a touch annoying but what I felt more than annoyance was utter elation — a strong sense of freedom replacing the urgency of all things schedule related.

I put on my boots at the back door that evening and stepped out into a wide expanse of possibility, high desert and gale force wind, a low ceiling of flying cloud.  I stepped out into over thirty days of life-space such as I haven’t had in…well…in longer than I can recall.  The dogs and I practically ran up the rim rock ledge behind the house, to get closer to the sky, to gain a firmer grip on the lay of the river, to grasp at the corner of the concept of horizon.

The corn stubble up there was rickety in the wind and the dogs immediately dislodged a small flock of Canada geese from their roost.  They rose into the air, hammering at it with all their practiced might, I heard the zithering of their wings churning the night air white.  Many were missing flight feathers, either naturally lost or shot off over the past few months.  I stood beneath them, marveling at their ability to stall, hold easy and steady in invisible currents; they are masters of water and wind.  I am ashamed to be mildly clumsy and terrestrial in the presence of such gifted beasts.

I had an earache from the force of the breeze and while I waded through grass of stature and aimless tumbleweed Farley and Tater located a group of pheasant — still in hunting mode, those dogs are.  Tater was backing Farley beautifully so I took the moment as a training opportunity for Tater who’s steadiness to wing and shot mysteriously turned to rust and ash part of the way through the upland season this year.  I walked forth and flushed the birds while keeping an eye on him.  He held.  We went on like that as we walked, finding more quail and pheasant hens to work.

I looked around as I walked, mittened hands shoved deep in my pockets, noting the palate of the landscape and the cautious fringe of green slowly parading down the canyon walls, the sudden green-silver of the sage leafing out, the evening tunes of birds.  I was compelled to lay down in it for a spell, as I have been known to do, since I could afford the time.

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