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The rutted ice sank beneath a skiff of fresh powder and we began to swoop our way upward, faster, into the thick timber, into the temple of trees; the temple turned to lace and the lace turned to sky and we fell into a rhythm of quietude and the washing over of grace, which is painful and sublime, like waves softening stone.

Oh my soul.

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https://www.thenoisyplume.com/blog/2015/01/15/9527/

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Hunting, fishing, drawing, and music occupied my every moment. Cares I knew not, and cared naught about them.
[John James Audubon]

https://www.thenoisyplume.com/blog/2014/12/19/9447/

Togetherness

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IMG_9007 IMG_8694 IMG_8707 IMG_8715 IMG_8726 IMG_8753 IMG_8814 IMG_8840The desert, as an entity unto itself, in its wholeness, does not believe in disguise.  It wears no mask.  This is what I like most about the desert.  I look out on the land here and see it for exactly what it is:  thrumming with life, dry and blistering and bristling, thorny, wrinkled and rumpled, hard hearted and brilliant with beauty.  There are no games here.  There is no facade I must recognize and surmount in order to comprehend the root and tooth of the place.  The land here is naked and vulnerable despite everything that bites, prickles and stings.  I have never taken this for granted, being able to read a desert like a book.  I don’t mean this space isn’t complicated and worthy of exploration and study, I just mean it makes itself plain to the seeing eye — it’s a quality I appreciate.

I can trust in the character of the land here, in the way it presents itself.  The sky is broad, the ground is sun and wind calloused; somewhere between the two I exist and remain — inconsequential and delicate.  No small violence is unexpected, no broad beauty is beyond belief.  The desert owns exactly what it is, unabashedly, unapologetically.  I move through it accordingly.

We’re living in a straw bale house on the edge of the Snake River in south central Idaho right now.  It’s a beautiful, humble life.  Every morning we wake up with the sun, make tea and coffee, build breakfast, make a plan for the day, and then go out and live.  We hunt quail in the morning, swap out a tired dog for a fresh dog and hunt chukar all afternoon, until the sun goes down, then we head home to our little straw bale house and make dinner, pour a glass of wine, mix a gin and tonic, light the Christmas tree and talk and read until we feel tired enough to go to sleep.

We don’t have an internet connection.

We haven’t a television.

We have a 3G phone connection if we stand in a certain part of the house.

This is our version of a holiday — reverting to a simple life, doing the things we love on a daily basis, eating when we are hungry, taking some of our food from the land, watching the ducks, herons and hawks with a pair of binoculars from a chair by a warm fire.  We walk out in the sage to collect bones, we daydream aloud about what future we might make for ourselves and where that future might be.

We rented this house because we’ve always wanted to rent this house and have been watching it for a few years now, hoping to enjoy its simple comforts for a month or two in the heart of winter, in the heart of the off-season, in the heart of upland country.

We are also renting this house because of its proximity to the land we have been hunting and learning and knowing since we moved to Idaho in 2008.  These are our stomping grounds.  We treasure the Snake River plain and always have.  We  treasure the rim rock rising up from a ribbon of blue, this rugged country that holds game birds, this wild country that opens our hearts, this heartless country that promises to swallow us whole every time we step out in it.

We love this country.

We have carefully budgeted our lives and monies for months to come in a way that allows us to live this way.  We aren’t lucky but we are blessed.  Even a blind man could tell you that.  We have another fire season coming.  We have a house to sell.  We have life transitions galore to tackle, unravel and sort out.

We are here to practice togetherness and every day we find each other a little better, every day we find each other a little more.

Last Night, On The Mountain

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To the West.IMG_7860To the East.

Ten Thousand Hours

Farley is locked up on a staunch point, frozen in place with his head turned back over his shoulder, his nostrils flaring, his eyes shining in the cold.  I line up his point by following the direction of his nose and eyes to the base of a scraggly brush; there, where the roots form an abstracted cage against the earth, I see a pheasant dressed in drab greys and browns.  I relax and step forward through the snow, shotgun idle in my right hand now turning numb with cold, I kick the bottom of the bush with my boot and call out to Robbie, “Hen!”  So he’ll know to not shoot.

The hen rises up out of the snow, twigs and grey of winter on broad, thumping wings.  I feel the wind of her flight on my face.  We watch her as she goes deeper into the night where it grows in the East.

Farley looks at me like I’ve betrayed him.  I tell him, “That’s a hen, big boy.  No bird.  Get on.”  He blinks at me once, turns on his heels, and heads off into the brush and thicket at a gentle but determined jog — a gait he has spent ten years developing, a pace he can hold for hours on end.  He heads out into a blaze of winter white blended with hay stubble that buzzes in an adamant breeze.  He heads out into the exotic scent of rooster on the wind, into the dream that every bird dog dreams; to run, to sniff, to catch scent, to point, to wait for the shot, to retrieve, to give the game to the master, to be thumped on the arse by the palm of a gloved hand and told, “Good boy.  Good work.

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We are on a ranch that belongs to our friends; every curve of the earth here speaks of legacy.  The land rises up in good natured swoops and is strung together by wisps of brush that serve to fortify the drainages cut into stone by mountain water.  Bunches of thorns and brambles give way to scrub aspen and sagebrush and it is in the broadness of these places that the pheasant can be found.  This is a thriving and wild population of birds, an even mixture of hen and rooster, tail feathers here grow long and graceful, and the birds are fat on wild forage.

It is snowy.  We track pheasant through the snow, their footprints are are easy to spot and almost Jurassic in nature compared to the other upland birds we hut.  We monitor the dogs as they work, breathe out our cold smoke into the warm gleam of the sunset and trudge, step by step, upwards, paying attention to the body language of the pups as they quarter the space before us.

Pheasant are runners, they will run to eternity and beyond; flying is a last resort.  The dogs catch scent, move cautiously, wait tentatively with their noses pointed into the wind, creep forward, relocate, and then break into an easy trot again.  We walk quickly, keeping up is vital, no working dog should work in vain.

IMG_6663 IMG_6713I can feel the wind gusts brushing my face rosy, I shift my gun back and forth in my hands as I try to keep feeling in my fingers.  It is a cold night to hunt, the sun has slipped away and the air is fading to blue, chilling itself further as it passes over snow and ice.  We have been walking for a while, my body feels warm but there is an insidious tingling in my toes no matter how fast I move or how much I stomp my feet.  I tuck my chin down into my coat layers, as I always do, squint, try to wet my stony eyeballs with warmth by blinking too many times, and feel my exhalation turn to fine crystal on the curves of my cheekbones.

I am working closely with Farley while Robert keeps tabs on Tater Tot.  I always feel lucky to be partnered with our white dog; Farley is an expert.  When I say expert, I mean a master hunter.  His bird repertoire is as extensive as the interior West allows and includes some waterfowl; he is a true utility gun dog and the envy of many of our friends.  He knows how to respectively work every species bird he hunts, how hard he can push them, what to expect of them behaviorally and what their preferred cover looks like.  Some people say pheasant cannot be properly hunted by a pointer but if they had the great pleasure of hunting behind Farley, they would be forced to adopt a different opinion on the mater.  Farley doesn’t believe in wasting time.  He is efficient, right down to the speed at which he carefully covers ground.  He is a patient teacher, I learn from him every time we work together.

Tater Tot, on the other hand, is a young dog.  Pheasant are hard on him.  He has been raised on chukar and Hungarian partridge in big, wide open country which is perfect for a dog that runs huge.  Any bird we hunt in thick brush results in him making some mistakes.  He’ll learn, he’ll get better, it’s a matter of him working on his ten thousand hours and perfecting his craft.  With that in mind, Tater Tot teaches me, too, every single time we go out.  I learn from his mistakes and his successes.

I watch our dogs develop their craft and I learn to be patient with myself when it comes to developing my own craft, when it comes to building my gifts and honing my talents.  I remember that developing a voice within the realm of creative work can take a lifetime of evolution.  I realize that learning about myself enough to be proficient at expressing myself is honest work I can afford to be tenacious about; it is work that is worth the work.

Having an incredible bird dog isn’t just about bloodlines (though, those do help), it’s about exposure and development of natural instinct, it’s about taking my pup out and getting him into big country where he can work his heart out, rise to his full potential and develop a sturdy foundation for his skill set.  From time to time, Tater is going to bust coveys, run over singles, approach birds from the wrong direction and suffer moments of impatience and occasionally he might lose all all self-control and gallop around like a buckaroo.

He will lock up on exquisite, unexpected points on tight holding birds and will look as majestic as anything; he will have moments wherein he is god of all the dogs.  He will have good luck.  He will have bad luck.  There will be days when he rules the world on his four fleet feet and his humans will fail to get him his bird.  But in all of that success and failure and learning, he’ll be working steadily on his craft until one day, we’ll cast him off into the sagebrush and rim rock to do his work and realize that he, too, has become a master of his craft.

I hope I can say the same of myself someday.  Until then, there are those wily old pheasants running fast through the snow, tails streaming behind them like comets, and our little brown pup going forth earnestly and courageously into the winter white.

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