I got to missing Idaho this week…the land there, and our people there.  I pulled out a few stones that remind me of the landscape (rolling hills, rimrock country, fanged mountain ranges, high desert sage flats) and I made some big old rings.  These stones are simply set so the landscapes in these jaspers really sing out bright and true.  The back of each ring holds a sprig or two of sagebrush.

A little sacred.

A little wild.

I’ll try to have them in the shop sometime tomorrow.

https://www.thenoisyplume.com/blog/2013/07/31/6586/

Lone Wolf

[sterling and moonstone]

A piece to honor a regal beast, a king of the forest, a shepherd of elk and bison herds, a caretaker of the land…and perhaps a self-portrait, too.

Trees Trees Trees

[Root Necklaces :: sterling silver and curious cuts of imperial jasper that look suspiciously and beautifully like cross sections of trees :: I SWOON!]

“She would sing the forest eternal.  She would place her body in the womb of trees.  She would bleed into the earth.  She would place her bare feet onto moss and spiked pine needles, peat and mud, and up between her toes and through her pores would ooze the rich dark syrup of mother earth, and over her ankles would swarm tiny insects, and around her shoulders would float the exquisite flowy drapery of her green hemlock cape.  She would take great gulps from slender bars of silver light, forest filtred, like incandescent strands of old woman’s hair.  She would bow to the sturdy white pine, the brave, pioneering alder, the cooling sitka spruce, the mighty Douglas fir, the sorrowing hemlock, the sheltering maple, her beloved cedar.  She would bow to the Wild Cedar Woman who dwells in the forest.  She would hold her wooden hand, sing her wild huu, huu, and put herself back together again and again.  She would drink the forest liquids and drench herself in possibility.”

[Susan Vreeland :: The Forest Lover]

Oh, heck.  I wish I had written that.  But someone else did.  This is the final paragraph in Susan Vreeland’s book, The Forest Lover, which I read earlier this summer.  That final paragraph was filled with such feeling.  The whole book was great, once I got into it, but that final paragraph was such an anthem, such a glorious uprising of emotion and beauty and strength…I was changed by it, charged by it.

Have you read this book?

Go get a copy.

Then order all of Emily Carr’s (the beloved Canadian artist) writings, especially her collected journals, and dig in.  I’m, well, I’m obsessed.  I get that way with published journals though…it’s almost a vice.

Love and trees,

The Plume

A Worthy Fish


[Worthy Fish Ring :: sterling silver]

It was my father who taught me to use a spinning reel.  Oh, I don’t know, I must have been four or five years old.  In return, I taught my dad how to catch Northern pike.  I schooled him.  I showed him how I could cast my trusty five of diamonds long and far, reel it in steadily, adding a little herky-jerky action with a repetitive wrist flick.  Reeling, reeling until the leader ran up fast to my rod tip and bumped into the smallest eye on the rod.  Then I’d cast again.  And again.  And again.  Until I caught a fish.  I had the patience and faith of a saint.

The rest is history, as they say.  I brought them in little.  I brought them in big.  Those pike snapped their heinous teeth at me, howled at the moon like water wolves.  They bit me and drew blood.  Oh.  It was a wild battle every time I caught pike.  Every now and again I bonked one on the head, cut it to pieces with my little red Swiss army knife and cooked those white, shimmering fillets over a fire on an outcropping of rock, by a set of rapids on the Churchill River system of Saskatchewan or a quiet shady lake.  I cooked my fish.  Slapped at mosquitoes.  Listened to the wind in the jackpine and birch.  Then I ate that hot fish, picked the bones off my tongue tip, watched the rapids, heard the water thunder, and felt that wild pike in my belly willing me to reach up, shining and narrow, to snap at the clouds in the Northern sky.

That’s why I ate them, you know, especially the fierce little ones that tried to bite my fingers off.  I ate them because I wanted that wild ferocity inside of me, mingling with my DNA, billowing my lungs like the pedals on an old Anglican church organ.  I wanted the fuel of fierceness, the wild and insane fight of a pike in my belly.  I ate a lot of pike the first twenty years of my life.  It’s  probably why I’ve such a stalwart spirit of rebellion inside the cage of my bones.

After pike, I moved on to walleye.  You know you have walleye on the line when you feel them slam into your hook and then fall suddenly silent.  You wonder if you bumped a rock with your lure, or a big patch of weeds.  You wonder.  You wonder.  You reel in some line, carefully, tentatively and suddenly your walleye will begin to fight.  And it’s a good fight.

Walleye.  Pike.  The fish of my younger years.

——————————————-

Somewhere in New Zealand, on a backcountry hike lit up at night by the Southern Cross and glow worms, I fell in love with a boy when I saw him fly fish for the first time.  Imagine A River Runs Through It, but cut and paste a handsome photograph of Robert’s face over top of Brad Pitt’s and you’ll be able to imagine what I saw.  I sat down in tall grass, biting bugs be damned, and I silently watched his manly poetics as his fly line flashed like yellow silk ribbon between 10 and 2.  Rhythmic.  Controlled.  Effective.  Oh, heck.  I was hooked.  That boy caught me a twenty two inch rainbow trout one day when I was very hungry and we were out of food while hiking the New Zealand backcountry.  That was the best fish I ever ate.

He loved fish.  I loved him.  The fish loved me.  It was a bizarre love triangle.  Eventually, I married him, because I knew if we were ever starving to death he would go out and catch us a fish.  Well, that, and he’s quite handy.

After I married Robert, we moved to Alaska to work for a rafting company.  We lived at the confluence of the Klutina and Copper Rivers — both wild and legendary waterways.  When the salmon started running, we ate fresh caught fish every single night.  Robert was salmon obsessed.  Oh, he had a terrible fish fever.  But me?  In Alaska I fell in love with trout.

It was never too late to go fishing in the land of the midnight sun.  We thought nothing of loading the canoe on top of the rafting van at 11PM, driving for two hours to a lake or river, and fishing until the tiny morning hours.  We were mad for fish.  Robert bought me my first fly rod and taught me how to use it.  He’s still teaching me but I no longer look like a ridiculous bumpkin while casting, as we all do, right when we get started with a fly rod.  Robert was patient and freed my hooks when they caught rose, alder, birch, black spruce on a sloppy backcast.  In point of fact, for the first couple of months, I caught many more trees than fish.  He coached my rhythm a bit, showed me how to give a little action to a wooly bugger as I stripped it in.  He taught me how to tease trout.  How to wiggle a parachute adams above their hungry noses.  How to set a barbless hook in a cold lip and keep tension on the line until I had a fish in hand. He taught me to read water on rivers and lakes.  He taught me so much and I loved landing trout.

At first, I fished with Robert.  After a while, if he was out running errands for our rafting company, I started driving to the small lakes outside of Chitna, just to catch a fish or two, just to see them rising during the dusking hours.  No fish leaps for joy like trout.  I fell in love with their shining, shimmering, silver joy.

We eventually moved, that fisherman and I, from Alaska to Northern California to Arizona — where Robert was a fish biologist for the federal government.  Life in Arizona was pure fishes, every hour, every day, every month, for almost four years.  Robert was growing and researching a crop of 60 000 threatened and endangered fish in outdoor earthen ponds.  At night, while the Arizona sun was setting, I would watch him walk out on the levies with his fly rod.  He’d fish for his endangered fish, in order to inspect them for disease and record their growth.  His casting was as lovely as ever, even in a waterless, troutless land that man found something to catch on the fly.

Eventually, we moved North to Idaho, land of rainbow trout, cutthroat trout, steelhead and salmon.  And then we began to divide our life between Idaho and Washington, a state made of the same kind of fishes.  I am happy to be here.  The fishing is very fine, indeed.

——————————————–

It occurs to me that my life could be measured in fishes.  I can remember fish I have caught in specific places, the weather of the day, the mood of the water, what I was wearing.  Robert is similar.  We can hike a river together and he will point out the eddies and deep bends he has taken fish from.  I wonder sometimes if Robert loves to see a trout in my hand, the way I love to see a trout in his.

Trout.  They’ve been a steadfast part of our life.  A reason for travel and adventure.  A cherry on top of the desserts of life.  I think they’ve made me a better woman and Robert a better man.  Maybe it’s a slippery, rainbow flanked trout between us that ties and binds us like a golden band on a ring finger.  They are noble things, trout, a worthy fish.

Pondi Pines

[Pondi Pine Earrings :: sterling silver & copper]

This is a little series I began working on, on paper, last summer and have just been getting around to fabricating this past week.  The forms are directly modeled after jigsaw pieces of ponderosa pine bark.  It’s magical stuff.  No two pieces are exactly alike and they are tremendously abstract in form, which I love!  Here’s what I do.  While I am out woodsing here, I keep an eye out for interesting jigsaw pieces beneath the trees.  If I find one I love, I bring it home, make a paper template with it, and then design around the form.  These earrings have, so far, turned out to be wildly modern and organic looking, like ink blots or splats of rumpled texture against the neck.  Terrifically bold.  Perhaps a little savage.  I’ve crafted these from copper and sterling and hope to finish a few other sets this weekend in sterling and gold.

I feel everything I have made lately has had a sort of mad, wild elegance to it.  A sure sign that though life is a bit disjunct here at the moment, I’m still managing to find a honest and lovely momentum in the studio which makes me feel so grateful and centered, even when the world feels like it’s whirling out of control.